details #4

ok architecture fans, this is the penultimate entry for this series.  get your guesses in soon...final post will be on Christmas.

details #3

come sail away ...

details #2

symbiotic union of steel, concrete, & plaster... an architectural trifecta

God is in the details

this post begins begins a new series.  we are constantly surrounded by architectural details, but given our frenetic lives, most of us never give pause to their existence, let alone their impact on our daily routines.  some of these details are tactile and obvious, such as a custom door handle or stair rail, while others can only be visually experienced.  still others details are visceral; neither touched nor seen, only experienced subconsciously.

regardless, it is the details that add ... well .... the detail to our lives.

over the next few weeks, we'll be posting a series of architectural photographs, detailing a variety of locally completed projects here on the central coast.  they will include buildings that are publicly accessible and visible, most of which you've probably been in or at least driven by.  the first offering is shown above...

the savvy reader who can correctly name the buildings featured will win a special, exclusive prize.  good luck and happy detailing.

white men can't jump

When white people envision their dream home, a key part of the fantasy involves a least one piece of furniture designed by a famous architect from the 1930s.

Architects like Mies van der Rohe and Le Corbusier designed iconic modern furniture that has inspired virtually everything made by Ikea and Design Within Reach, both of which are key suppliers of furniture to white people.

But as with all things, white people will do whatever it takes to secure authenticity including paying thousands of dollars for a small piece of furniture.

If they are able to acquire this prized furniture, they will forever refer to it only by the designers name. “I spend hours in the van der Rohe, just looking through these beautiful books of his work.”

Referring to a white person’s expensive chair as a ‘chair’ is considered poor form and will likely result in a loss of trust and/or respect.

The best strategy for avoiding this faux pas is to look for the most uncomfortable chair in a white person’s home and ask “who designed that?” If they say “Ikea” or “Design within Reach” you can call it a chair, otherwise refer to it only by the name they give you.

It should also be noted that many white people are unable to acquire this furniture, but that does not mean you cannot use this information to your advantage.

In situations where you need to improve your connection with a white person, just mention how you hope to be successful enough to one day afford an original piece of furniture by  {insert obscurely named architect}. If they have heard of the designer they will nod in agreement, if they have not, they will also nod in agreement and make a note to look it up later.

In either case, your status will rise.

(This article courtesy of a white architect who actually can jump, but ironically also owns a Calligaris)

mojo rising

In an age of $120 per barrel oil prices, the Mix @ Monterey represents a 21st century solution to architecture + sustainable development. This eco friendly, in-fill project will showcase environmentally responsible mixed-use development that reflects our current global economic and climatic condition.

The Mix @ Monterey will set the local pace of energy efficient design by incorporating a host of sustainable features, including natural day-lighting, passive solar heating, cool roof technology, as well as SLO's first architecturally-integrated photovoltaic solar panel system, which celebrates sustainable design technology as an integral component of the building's exterior architecture.

Tree-hugging capitalism....can it be?  Interested in more?  Then visit www.1308monterey.com and give us a shout-out.  BTW, free prize to the first savvy blogger who deciphers the mojo acronym.

the verdict is in...